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Around 2005, Michel Campeau, attuned to the digital shift, began photographing darkrooms—the laboratories that form the foundation of a disappearing form of film photography. At the same time, he collects vernacular photography and continues his creative work through the photography of others, building collections of anonymous photographs or archives he unearths online or during his travels. In this book, he creates a sort of temporal montage from these documents, many of which are now impossible to find. He blends his own photographs with those he appropriates, constructing a history of film photography while weaving his own photographic autobiography. Joan Fontcuberta analyzes Michel Campeau’s work in his essay.
Published by Éditions Loco, 2019
24 cm 28 cm, 144 pages, in very good condition
ISBN
Around 2005, Michel Campeau, attuned to the digital shift, began photographing darkrooms—the laboratories that form the foundation of a disappearing form of film photography. At the same time, he collects vernacular photography and continues his creative work through the photography of others, building collections of anonymous photographs or archives he unearths online or during his travels. In this book, he creates a sort of temporal montage from these documents, many of which are now impossible to find. He blends his own photographs with those he appropriates, constructing a history of film photography while weaving his own photographic autobiography. Joan Fontcuberta analyzes Michel Campeau’s work in his essay.
Published by Éditions Loco, 2019
24 cm 28 cm, 144 pages, in very good condition
ISBN
