Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
, a Chilean photographer Paz Errázuriz , began taking photos in the 1970s , under the dictatorship of Pinochet , and in the decades that followed , she traveled extensively to document the landscape and the population of her native country . Throughout his long dedicated practice , Errázuriz forges close ties with his hometown , Santiago , but also with the Central Valley of Chile , Patagonia and Valparaíso , and builds lasting relationships with his many subjects . Her commitment to her subjects is unwavering - she is known for spending months or years in a given community , building trust and studying the social structures closely . During the dictatorship , her projects violated the regulations imposed by the military regime , as she dared to visit underground brothels , shelters , psychiatric services , and boxing clubs , where women were not welcome .
Dans Paz Errázuriz: Survey, plus de 170 photographies sont rassemblées pour la première fois, ce qui donne lieu à une publication rétrospective s'étalant sur plus de quarante ans. Pour reprendre les mots de l'auteur Gerardo Mosquera, « les espaces explorés dans les photos d'Errázuriz – au-delà des personnalités frappantes – révèlent une esthétique extrême qui révèle aussi les nids-de-poule et les irrégularités laissées sur le chemin de la modernisation. Son travail se concentre systématiquement sur la marginalisation sociale qui continue d'affliger le pays, faisant chavirer l'image de flottabilité du Chili en pénétrant intuitivement les contradictions - les innombrables fissures et fissures - qui persistent encore aujourd'hui. » Paz Errázuriz (né à Santiago, Chili, 1944) a publié des livres dont El Infarto del Alma (1993), La Manzana de Adán (1989), Kawésqar: Hijos de la Mujer Sol (2005), Amalia (1973) et Paz Errázuriz, fotografía 1982-2002 (2004). En 1981, elle a cofondé l'Asociación de Fotógrafos Independientes. Elle a reçu une bourse Guggenheim en 1986, ainsi qu'une bourse Fulbright en 1992. Son travail a été exposé dans le monde entier, et en 2015, elle et Lotty Rosenfeld ont représenté le Chili à la Biennale de Venise. Elle a également reçu le prix PHotoEspaña 2015.
Juan Vicente Aliaga (essay) is a artcritic and exhibitioncurator from Spain. In addition to and , member of the Faculty of Fine Arts at the Polytechnic University of Valencia , his research has focused on conceptual art , gender politics , queer theory , and cultural intersectionality . In addition to being the author of several books, he is a regular contributor to Artforum.
Gerardo Mosquera (essay) is a curator, critic , art historian of and a writer based in Havana. He played a key role in the organization of the first Havana Biennial in 1984, received a Guggenheim fellowship in 1990 and served as assistant curator at the New Museum in New York from 1995 to is the author of numerous books, articles and essays published in various journals such as Aperture, Artforum , Art in America, Cahiers and Kunstforum.
Paulina Varas (essay) is curator and researcher based in Valparaíso, Chile, and in Barcelona. She is currently doctoral student in history and theory of art at the University of Barcelona. She has written and co-authored books exploring contemporary art Chilean and Latin American, and her writings are often published in international journals .
Published by Aperture, 2016
26 cm x 23 cm, 272 pages, like new
ISBN: 9781597113540
, a Chilean photographer Paz Errázuriz , began taking photos in the 1970s , under the dictatorship of Pinochet , and in the decades that followed , she traveled extensively to document the landscape and the population of her native country . Throughout his long dedicated practice , Errázuriz forges close ties with his hometown , Santiago , but also with the Central Valley of Chile , Patagonia and Valparaíso , and builds lasting relationships with his many subjects . Her commitment to her subjects is unwavering - she is known for spending months or years in a given community , building trust and studying the social structures closely . During the dictatorship , her projects violated the regulations imposed by the military regime , as she dared to visit underground brothels , shelters , psychiatric services , and boxing clubs , where women were not welcome .
Dans Paz Errázuriz: Survey, plus de 170 photographies sont rassemblées pour la première fois, ce qui donne lieu à une publication rétrospective s'étalant sur plus de quarante ans. Pour reprendre les mots de l'auteur Gerardo Mosquera, « les espaces explorés dans les photos d'Errázuriz – au-delà des personnalités frappantes – révèlent une esthétique extrême qui révèle aussi les nids-de-poule et les irrégularités laissées sur le chemin de la modernisation. Son travail se concentre systématiquement sur la marginalisation sociale qui continue d'affliger le pays, faisant chavirer l'image de flottabilité du Chili en pénétrant intuitivement les contradictions - les innombrables fissures et fissures - qui persistent encore aujourd'hui. » Paz Errázuriz (né à Santiago, Chili, 1944) a publié des livres dont El Infarto del Alma (1993), La Manzana de Adán (1989), Kawésqar: Hijos de la Mujer Sol (2005), Amalia (1973) et Paz Errázuriz, fotografía 1982-2002 (2004). En 1981, elle a cofondé l'Asociación de Fotógrafos Independientes. Elle a reçu une bourse Guggenheim en 1986, ainsi qu'une bourse Fulbright en 1992. Son travail a été exposé dans le monde entier, et en 2015, elle et Lotty Rosenfeld ont représenté le Chili à la Biennale de Venise. Elle a également reçu le prix PHotoEspaña 2015.
Juan Vicente Aliaga (essay) is a artcritic and exhibitioncurator from Spain. In addition to and , member of the Faculty of Fine Arts at the Polytechnic University of Valencia , his research has focused on conceptual art , gender politics , queer theory , and cultural intersectionality . In addition to being the author of several books, he is a regular contributor to Artforum.
Gerardo Mosquera (essay) is a curator, critic , art historian of and a writer based in Havana. He played a key role in the organization of the first Havana Biennial in 1984, received a Guggenheim fellowship in 1990 and served as assistant curator at the New Museum in New York from 1995 to is the author of numerous books, articles and essays published in various journals such as Aperture, Artforum , Art in America, Cahiers and Kunstforum.
Paulina Varas (essay) is curator and researcher based in Valparaíso, Chile, and in Barcelona. She is currently doctoral student in history and theory of art at the University of Barcelona. She has written and co-authored books exploring contemporary art Chilean and Latin American, and her writings are often published in international journals .
Published by Aperture, 2016
26 cm x 23 cm, 272 pages, like new
ISBN: 9781597113540
