THE ANIMALS - Garry Winogrand
One of the leading exponents of the American street photography movement, photographer Gary Winogrand (1928-1984) combined improvisation, fluidity, appetite, energy and, above all, photographic instinct throughout his career. "The Animals" consists of 43 black-and-white photographs taken at the Central Park Zoo over a seven-year period, between 1962 and 1969. Published by the Museum of Modern Art, the photos were created with a wide-angle lens, the preferred style of photographer Gary Winogrand (1928-1984) from the 1960s onwards. Here, the zoo becomes a theater in which humans and animals, united in a form of symbiosis, bear witness to the comic drama of modern urban life.
Published by The Museum of Modern Art, New York (2004)
21.5 cm x 19 cm, 50 pages, good condition
ISBN 978-0870706332
One of the leading exponents of the American street photography movement, photographer Gary Winogrand (1928-1984) combined improvisation, fluidity, appetite, energy and, above all, photographic instinct throughout his career. "The Animals" consists of 43 black-and-white photographs taken at the Central Park Zoo over a seven-year period, between 1962 and 1969. Published by the Museum of Modern Art, the photos were created with a wide-angle lens, the preferred style of photographer Gary Winogrand (1928-1984) from the 1960s onwards. Here, the zoo becomes a theater in which humans and animals, united in a form of symbiosis, bear witness to the comic drama of modern urban life.
Published by The Museum of Modern Art, New York (2004)
21.5 cm x 19 cm, 50 pages, good condition
ISBN 978-0870706332
One of the leading exponents of the American street photography movement, photographer Gary Winogrand (1928-1984) combined improvisation, fluidity, appetite, energy and, above all, photographic instinct throughout his career. "The Animals" consists of 43 black-and-white photographs taken at the Central Park Zoo over a seven-year period, between 1962 and 1969. Published by the Museum of Modern Art, the photos were created with a wide-angle lens, the preferred style of photographer Gary Winogrand (1928-1984) from the 1960s onwards. Here, the zoo becomes a theater in which humans and animals, united in a form of symbiosis, bear witness to the comic drama of modern urban life.
Published by The Museum of Modern Art, New York (2004)
21.5 cm x 19 cm, 50 pages, good condition
ISBN 978-0870706332
