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Built in the late 1970s by the Castro regime to create “a new man,” Alamar features a bleak architectural style. Concrete blocks stretch as far as the eye can see, reminiscent of the darkest period of architecture in the former USSR. Far from the idyllic beaches, in this cold world that has neither past splendor nor a glorious future, beats the heart of the real Cuba. Italian photographer Mauro d'Agati offers us a bittersweet poetic vision of it.
Published by Steidl, 2010, signed copy
29.5 cm 20 cm, 160 pages, in good condition
ISBN
Built in the late 1970s by the Castro regime to create “a new man,” Alamar features a bleak architectural style. Concrete blocks stretch as far as the eye can see, reminiscent of the darkest period of architecture in the former USSR. Far from the idyllic beaches, in this cold world that has neither past splendor nor a glorious future, beats the heart of the real Cuba. Italian photographer Mauro d'Agati offers us a bittersweet poetic vision of it.
Published by Steidl, 2010, signed copy
29.5 cm 20 cm, 160 pages, in good condition
ISBN
