Moriyama's elliptical, collage-style photographs—reminiscent of both Nobuyoshi Araki and Eikoh Hosoe—are less well known in America, but have actually been tremendously influential in his homeland. This retrospective monograph—complete with a uniquely imprinted, silvery slipcover—flits back and forth from geometric abstraction to dark, bizarre scenes of urban fires, chaotic materialism, and sex. Quarto in slipcase. Includes a 16-page booklet with text in Japanese and English by Noi Sawaragi. Features 83 black-and-white plates and four color plates, published on the occasion of the 1998 retrospective exhibition at Tokyo’s Parco Gallery. Near fine in photo-illustrated wrappers and silver-embossed slipcase
Published by Art Data, 1998 (signed edition)
20.3 cm 28 cm, 104 pages, in good condition
ISBN
Moriyama's elliptical, collage-style photographs—reminiscent of both Nobuyoshi Araki and Eikoh Hosoe—are less well known in America, but have actually been tremendously influential in his homeland. This retrospective monograph—complete with a uniquely imprinted, silvery slipcover—flits back and forth from geometric abstraction to dark, bizarre scenes of urban fires, chaotic materialism, and sex. Quarto in slipcase. Includes a 16-page booklet with text in Japanese and English by Noi Sawaragi. Features 83 black-and-white plates and four color plates, published on the occasion of the 1998 retrospective exhibition at Tokyo’s Parco Gallery. Near fine in photo-illustrated wrappers and silver-embossed slipcase
Published by Art Data, 1998 (signed edition)
20.3 cm 28 cm, 104 pages, in good condition
ISBN
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