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The work of British artist Sarah Dobai (b. 1965) blends photography, film, publishing, and performance. Her recent works reimagine and reinterpret historical works from cinema and literature, exploring the relationship between image and text as a means of addressing contemporary concerns within a specific historical context. The Donkey Field weaves a connection between the account of an anti-Semitic attack in Budapest in 1944 on a piece of land commonly known as the “donkey field” and the story of the persecution of Mary and the donkey Balthazar in Robert Bresson’s film Au Hasard Balthazar (1966).
Published by The Everyday Press
23 x 28 cm, 94 pages, in very good condition
ISBN
The work of British artist Sarah Dobai (b. 1965) blends photography, film, publishing, and performance. Her recent works reimagine and reinterpret historical works from cinema and literature, exploring the relationship between image and text as a means of addressing contemporary concerns within a specific historical context. The Donkey Field weaves a connection between the account of an anti-Semitic attack in Budapest in 1944 on a piece of land commonly known as the “donkey field” and the story of the persecution of Mary and the donkey Balthazar in Robert Bresson’s film Au Hasard Balthazar (1966).
Published by The Everyday Press
23 x 28 cm, 94 pages, in very good condition
ISBN
