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For Korean photographer Jungjin Lee (b. 1961), capturing the landscape is an exploration of her own mind. In *Unnamed Road*, the artist approaches the Israeli landscape by focusing on the theme of the landscape. Through her starkly minimalist black-and-white images, Jungjin Lee seeks to capture what remains unchanged amid the turmoil of battle: the movement of the waves, a desert landscape, a palm grove. Yet she still allows the traces of past battles—ruins, barbed wire, and bullet holes—to show through.
Published by Mack Books
22 cm 26.6 cm, 106 pages, in good condition
Leporello (accordion) binding
ISBN
For Korean photographer Jungjin Lee (b. 1961), capturing the landscape is an exploration of her own mind. In *Unnamed Road*, the artist approaches the Israeli landscape by focusing on the theme of the landscape. Through her starkly minimalist black-and-white images, Jungjin Lee seeks to capture what remains unchanged amid the turmoil of battle: the movement of the waves, a desert landscape, a palm grove. Yet she still allows the traces of past battles—ruins, barbed wire, and bullet holes—to show through.
Published by Mack Books
22 cm 26.6 cm, 106 pages, in good condition
Leporello (accordion) binding
ISBN
